John Jorgenson Quintet

Led by Grammy-winning guitarist John Jorgenson, the John Jorgenson Quintet creates a unique musical experience that equally enthralls the most discerning and the casual music fan. Each member of the group is a virtuoso, yet the music is very accessible, melodic and appealing. The group's style has been called "gypsy jazz" after the dynamic string-driven swing created by Django Reinhardt and Stephane Grappelli in 1930s Paris, but Jorgenson's compositions draw in elements from Latin, Romanian, Classical, Rock, and Greek music, so "21st Century World Music" is perhaps a more apt description.

"...dynamic interplay that was as thrilling to observe as it was to hear." - Washington Post

John Jorgenson on NPR's All Things Considered  Click here to listen to the interview.

 

Video Links - John Jorgenson Quintet


Mediteranian Blues

John Jorgenson - Bio

Led by Grammy-winning guitarist John Jorgenson, the John Jorgenson Quintet creates a unique musical experience that equally enthralls the most discerning and the casual music fan. Each member of the group is a virtuoso, yet the music is very accessible, melodic and appealing. The group's style has been called "gypsy jazz" after the dynamic string-driven swing created by Django Reinhardt and Stephane Grappelli in 1930s Paris, but Jorgenson's compositions draw in elements from Latin, Romanian, Classical, Rock, and Greek music, so "21st Century World Music" is perhaps a more apt description.
 
Guitarists (and folks who read liner notes) will be well-acquainted with John Jorgenson as his career has already spanned a few decades and many musical styles. First coming to national attention in the mid 80s as co-founder of successful country-rock act The Desert Rose Band, many diverse artists were drawn to add Jorgenson's  artistry to their own recordings such as Bonnie Raitt, Bob Seger, and Barbara Streisand. In the 90s The Hellecasters gave audiences a chance to experience John's fretboard fireworks in an unrestrained venue and the trio's three original CDs remain favorites of guitarists everywhere. Having been a fan of the Desert Rose Band, Elton John invited Jorgenson to join his band in 1994 for an 18 month tour that stretched into a 6 year stint of touring, recording and TV appearances with the British superstar.
 
2010 marks the 100th birthday of the great gypsy guitarist Django Reinhardt. Since discovering Django in 1979, Jorgenson has become "the US Ambassador of Gypsy Jazz" which is quite an honor given the distinctly European slant of the music's heritage. The John Jorgenson Quintet is the only American act to ever headline the prestigious Django Reinhardt Memorial Festival in France, and has been featured at other "Djangofests" in the US, UK, Germany and Canada. For the films "Gattica" and "Head in the Clouds" Jorgenson was tapped to recreate Django's music, and in the latter he even appeared onscreen as Django  with stars Charlize Theron and Penelope Cruz.  
 
Adding to the international nature of the Quintet are Dutch bassist Simon Planting, well-known and respected in the gypsy-jazz community from his tenure with legendary Belgian guitarist Fapy Lafertin, and British rhythm guitarist Kevin Nolan, who along with brother Robin and Planting made up the acclaimed Robin Nolan Trio. Filling out the Quintet are prodigious young jazz violinist Jason Anick (who is quickly making quite a name for himself), and veteran percussionist Rick Reed, renown for his intricate brush work and swinging drive. The combination of these five musicians creates a sound that is equally dynamic, romantic, driving, melodic and accessible.
 
Legends like Elton John, Earl Scruggs and Duane Eddy along with fellow guitarists such as Tommy Emmanuel, Peter Frampton and Brad Paisley will all sing Jorgenson's praises, but the best way to find out what they already know is to experience the magic of a John Jorgenson Quintet performance live yourself!

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Raves and Reviews - John Jorgenson Quintet


John Jorgenson Quintet review from Anchorage, AK

Gypsy Jazz Star now turns to Southeast

The John Jorgenson Quintet delivered a fantastic Alaska debut performance at the Sydney Laurence Theatre Friday Night...

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Leland Smith

John Jorgenson Quintet Yoshi's Review

"I've heard a number of sets in the last year by Jorgenson and his impeccable Quintet at Yoshi's. They made me both cheer and cry..." 

Read more in the San Francisco Examiner
Phil Elwood

Y'all Meets Gaul

Read the review from The Washington Post
Buzz McClain

Ultraspontane Review - Etudes Tziganes

Following the excellent "Franco-American Swing" released in 2003, here is the new CD from The John Jorgenson Quintet, respected session musician with a resume as long as your arm, who is also one of the best representatives of Swing Manouche in America.

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Francis Couvreux

John Sheffler Rave

DATE: Wed, 22 Nov 2006

RE:   John Jorgenson

Trish,
This is way after the fact but I feel compelled to write to tell you how
much I enjoyed the time spent with John on Nov. 10th. You were right,
not only was he a breath-taking musician but one of the nicest people
I've ever had the honor to meet. He was very well received by the
audience and I know the radio audience will be absolutely amazed at what
they'll hear.

If there is ever anything that I can do on his behalf, please let me
know. I've been promoting concerts here in Michigan since 1979. I have
sponsored and recorded over 250 concerts and I would have to put this
show in the top three....and would be hard pressed to determine what
"edged" this concert out.

Thanks again.
John Sheffler
Director of Radio
Central Michigan Public Radio
1999 E. Campus Dr.
Mt. Pleasant, MI 48859
989-774-3105
John Sheffler - Central Michigan Public Radio

Purdue Convocations Rave

Hi Trish
I just wanted to follow up on my phone call from Friday to tell you that we’re still flying high here after our date with the John Jorgenson Quintet. I’ve continued to get terrific feedback from deeply appreciative audience members over the weekend. I know I told you that half the house jumped to its feet at the end of the first set and that there was an immediate whole-house standing-o at the end of the second set; our audience was totally into it! The guys, aside from being absolute gems to work with, were clearly in love with our theatre and how warm and wonderful it felt. They called out thanks to the sound tech twice during the show because they were so pleased with how he was making them feel in the room. This mutual energy exchange made for one of those special evenings in the theatre. I can’t say enough about how pleased we are with their impeccable musicianship and taste - - they delivered everything that we could have imagined!
 
John was incredibly gracious and warm during our pre-show discussion about his career and gypsy jazz music. He could see that folks were really enthused to hear him, with all kinds of knowing head nods and applause when he would discuss his work over the years. We have a large acoustic/traditional/folk music scene here, and they were thrilled to have this chance to hear him in this setting.
 
I’ve also gotten terrific feedback from the middle school where the guys did their afternoon session. Again, they were generous with their time and disposition, making us look like heroes for delivering yet another terrific school outreach program.
 
I know that you like to tell great stories about your artists to other presenters during the booking process; please know that we’re more than pleased to visit or communicate with anyone who would like a reference for JJQ. We absolutely LOVE having artists like John and the guys on our season.
 
Again, my thanks to you for all of your support as we put this gig together. We couldn’t be happier!
 
Best,
Todd
 
Todd Wetzel, Director
Purdue Convocations
400 Centennial Mall Dr.
West Lafayette, IN 47907
PH 765.494.9712
FX 765.494-0540
tewetzel@purdue.edu
www.convocations.org
Todd Wetzel - Director

Grand Rapids Ballet Company delivers sizzling performance with 'An Evening with John Jorgenson'

www.mlive.com/entertainment/grand-rapids/index.ssf/2009/04/grand_rapids_ballet_company_de.html
Jeffrey Kaczmarczyk

Inland Empire Weekly Review

“Smokin’ hot” has been used to describe John Jorgenson’s playing style over the past couple decades. Now the accomplished guitarist (who’s also proficient on nine other instruments) is literally that...

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George A. Paul

Album Review-One Stolen Night

John Jorgenson Quintet

"One Stolen Night"
(J2)

Not, apparently, closely related to anybody in Nashville by birth, Mr. Jorgenson was, however, a key player, along with Chris Hillman, in the country-chart-topping Desert Rose Band, and regularly pays guitar with Earl Scruggs today. This CD shows off the guitar wizardry that got him there in another context entirely—as a master of the subtleties and rhythmic complexities of Django Reinhardt-inspired "gypsy jazz." He plays clarinet, soprano sax and bouzouki on this one, while he's at it, and his much-lauded jazz quintet proves his match.]

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Barry Mazor

Decades after his death, Django Reinhardt is a star

One of the world's leading proponents of the music of Gypsy jazz innovator Django Reinhardt, who would have celebrated his 100th birthday Saturday, guitarist John Jorgenson offered illuminating anecdotes and back stories about Reinhardt's life and songs when he performed last weekend before an intimate crowd of about 100 people packed into what's normally a guitar showroom at Culver City's Boulevard Music store.

But it wasn't the historical tales, nor the informed musical elucidation from Jorgenson that transfixed three children, all under 10, who looked on with delight from the front row during the performance by Jorgenson's hot-jazz quintet. It was Reinhardt's singularly ebullient music, joyously pure and direct, that pulled them in, the same way it has continued to win new audiences since his death from a stroke more than 50 years ago.

"I never thought this was anything I would do for a main gig," said Jorgenson, 53, who spent seven years in the '90s in Elton John's touring band and another half-dozen with Byrds founding member Chris Hillman fronting the Desert Rose Band, the boundary-pushing '80s and '90s country-rock group. "It was what I always did for fun."

This year's centennial -- he was born Jean Baptiste Reinhardt in Belgium and grew up in Gypsy camps outside Paris -- has spurred a wealth of live performances and recordings celebrating his spirited transformation of American jazz into a hard-swinging pan-European-flavored potpourri.
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Randy Lewis

John Jorgenson Talks About Django, Telecasters and Disneyland

The superlatives always fly when guitarists start talking about multi-instrumentalist and guitar master John Jorgenson.  Anyone who’s had the good fortune to catch him on tour not only experience an awe-inspiring performance, but also get chance to discover an up tempo level of professionalism coupled with a gentleman who’s easy going and gracious.

There’s a chance those of you who went to Disneyland in Anaheim, California a few decades back may have bumped into John or saw him as he performed on the pavement of that epicenter of entertainment ala Americana.

He was young, earning his chops and preparing for bigger things. And it didn’t take long for Jorgenson to share the stage with Chris Hilman, who’s time with the Byrds is now legendary.  John joined Chris to form The Desert Rose Band and while with them Jorgenson racked up three Academy of  Country Music (ACM) awards as “Guitarist of the Year”.

He joined forces with Will Ray and Jerry Donahue in the early ’90s to form a trio called The Hellecasters and out of the box, their debut album, Return of the Hellecasters (1993),  won Guitar Player Magazine’s “Album of the Year” and “Country Album of the Year” awards.

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Rick Landers

CD Review: John Jorgenson "Istiqbal Gathering"

In 1808, Italian Virtuoso guitarist Mauro Giuliani performed his Concerto No.1, the first modern concerto for guitar and orchestra. This raised the status of the guitar from a parlor instrument to an instrument worthy of respect of the worlds most serious (and respected) musicians. In 1939, Spanish composer Joaquin Rodrigo penned "Concerto de Aranjuez" the most famous guitar concerto to date. The nylon string classical guitar (Torres guitar) has been elevated to the status of a serious instrument as a result of these seminal compostions.
The Selmer-Macaferri guitar has been seen as an anachronism in the modern guitar world. Most "serious" musicians ( respected jazz and classical authorities) usually classify the Selmac guitar as an unusual instrument used by Django Reinhardt and his modern imitators.
 
John Jorgenson has changed that with his new release "Istiqbal Gathering". This is a collaboration between John and Orchestra Nashville. This work is the culmination of 7 years of work between John and Orchestra Nashville's conductor, Paul Gambill.  This album has four pieces. The first is Concerto Glasso, a 3 part concerto for the Selmac with Orchestra written by John.  Make no mistake about it, this ain't "Minor Swing" redone. This is modern Classical music that uses many idiomatic Gypsy guitar elements (one of the parts is in 3/4 time, evoking the traditional "Gypsy Waltz"). The Selmac guitar can finally take its place among its brethern (the Classical guitar) as a serious insrument worthy of the world's attention. Bravo John Jorgenson!
 
There are three other pieces on the album. "Dieter's Lounge" a Jorgenson piece performed with the Turtle Island Quartet, "Groove in the Louvre" another piece done with the Turtle Island Quartet penned by David Balakrishnan, the founder of the Turtle Island Quartet and the title track, "Istiqbal gethering" another Jorgenson composition that feaures a Cimbalom and violin in addition to the Selmac guitar.
John Jorgenson is one of the world's great guitarists (in any genre) and his Gypsy Jazz chops are up there with the best of them. His virtuosity is amply presented in this work. All fans of great music, especially those with an interest in Gypsy Jazz should check out this work. Most Gypsy jazz recycles that which has previously been done.  This album breaks new ground. John dedicated this work to his father, but in some respects, this is a symphony to Django Reinhardt. This album is highly recommended.
 
Marc Schwartz

CD Review: John Jorgenson Quintet "One Stolen Night"

Some jazz artists release new albums with such frequency that it is difficult to remember the sequence of their discography. Not so with John Jorgenson. Today John released his 4th Jazz album in 22 years. In fairness, the time between the first (After You've gone, 1988) and the second (Franco-American Swing, 2004) is largely explained by the fact that John was pretty busy in the intervening years playing with Elton John and the Hellecasters. Since 2004, John released UltraSpontane in 2007 and now One Stolen Night. These last two releases feature the John Jorgenson Quintet, probably the most successful Gypsy jazz outfit in the US (if not the world).
 
John HAD to do a new album. His entire band is made up of new members since the release of his last CD. In fact, one of the "new" members of the quintet has already left (Doug Martin has taken the rhythm guitar chair as Kevin Nolan has moved back to Europe).
The new album is a collection of 8 Jorgenson originals with 4 Gypsy jazz standards and 1 old time jazz tune.
The musicianship of this quintet is SUPERLATIVE! John may well be the best guitarist playing Gypsy jazz in the US. Simon Planting is probably the best bassist playing Gypsy jazz in the world. Kevin Nolan is as solid a Gypsy Jazz rhythm guitarist as they come, and Rick Reed (percussion) and Jason Anick (violin) handle their respective instruments with great aplomb.
One of the Gypsy jazz standards played is Robin Nolan's "Mediterranean Blues". Quite appropriate as the band contained two Robin Nolan trio alumni (Nolan and Planting). On "Billet Doux", "Hungaria" and "Norwegian Dance", John channels the spirit of Django with uncanny precision. The old time standard "Dr. Jazz" features John on reeds and vocals.
Of the 8 Jorgenson Originals, my favorite is " Souvenirs Des Nos Peres", a haunting composition finding John again on reeds. On "Istiqbal Solo" John plays solo guitar, evoking the sound of Django on the "Improvisations".
 
This album, while offering breathtaking virtuosity and some superb new compositions, breaks little new ground (John does play the Greek Bouzouki, a new instrument for US Gypsy jazz). For fans of the John Jorgenson Quintet it is indispensable. Others may find it superfluous. I have found that non-Gypsy Jazz fans like John Jorgenson better than the European masters. John's musical virtuosity and precision are second to none. John brings his other musical influences (Rock, Country etc.) to the music, which helps outsiders to this music relate, and become drawn in. They don't call John the "US Ambassador of Gypsy Jazz" for naught! John once told me that he never thought that playing Gypsy Jazz would end up being his gig. Lucky for the rest of us it has!
 
Marc Schwartz

Legendary Musician John Jorgenson Releases Two New Albums Today: One Stolen Night and Istiqbal Gathering

As one of the pioneers of American gypsy jazz music, Jorgenson is celebrating the father of gypsy jazz, Django Reinhardt, whose 100th birthday would have been this year, with two album releases and a touring schedule that takes him across the country and across the pond with the John Jorgenson Quintet. Widely known as the "U.S. Ambassador of Gypsy Jazz," Jorgenson has earned a reputation as a world-class musician and guitarist and has collaborated with the likes of Elton John, Luciana Pavarotti, Bonnie Raitt and Bob Dylan. Both new releases see this legendary musician exploring new elements of world music, bluegrass, rock and classical as Jorgenson expands the range of gypsy jazz, captivating and enlightening fellow musicians and listeners along the way.

One Stolen Night, Jorgenson's first 2010 release, is the second album credited to the John Jorgenson Quintet, following up on the Billboard Jazz chart success of Ultraspontane. This collection contains a mix of standards and new compositions, with plenty of clarinet and swing, plus a vocal and the addition of the Greek bouzouki into the Quintet's instrumentation. The Quintet recorded all of the tracks in two days using minimal production, resulting in a "live in the studio" sound that is warm, rich and so crisp that it transports the listeners to an intimate private concert.

The album features a driving rhythm section throughout as Jorgenson creates a classic gypsy jazz feel while pushing the boundaries with his arrangements and melodic content. "Red on Red" opens the album with fanfare and Django-inspired minor key swing, while "Mediterranean Blues" highlights a fiery jam session between violin and guitar. The title track, "One Stolen Night," presents a captivating melody and showcases the enchanting sound of the bouzouki. Throughout the album the John Jorgenson Quintet creates a unique musical experience that equally enthralls the most discerning and the casual music fan with a sound that is all at once dynamic, romantic, driving, melodic and accessible.

Jorgenson's second album release in 2010, Istiqbal Gathering, is the culmination of a long relationship between Jorgenson and Paul Gambill, conductor of Orchestra Nashville, and was recorded live at Ocean Way Nashville and the Schermerhorn Symphony Center. Jorgenson and Gambill combined with a world-class team of musicians and collaborators to create the first collection of music specifically composed and recorded for gypsy jazz guitar and orchestra.

Jorgenson's brilliant guitar work leads the way, supported by the progressive and dynamic Orchestra Nashville. "Concerto Glasso" and "Istiqbal Gathering" feature a full orchestra, the latter showcasing the breathtaking talents of Alexander Fedoriuk on cimbalom and David Davidson on violin. "Dieter's Lounge" and "Groove in the Louvre" feature the unexpected blend of string orchestra along with the GRAMMY award-winning Turtle Island Quartet. The combination is a groundbreaking album full of soaring melodies and driving rhythms, and it is utterly one of a kind.

The John Jorgenson Quintet is the only American act to ever headline the prestigious Django Reinhardt Memorial Festival in France, and has been featured at other "Djangofests" in the U.S., UK, Germany and Canada. For the films Gattica and Head in the Clouds Jorgenson was tapped to recreate Django's music, and in the latter he even appeared onscreen as Django with stars Charlize Theron and Penelope Cruz.
Despite the levels of success Jorgenson has already attained, the acclaimed musician has no intention of taking it easy any time soon. Building on the legacy of Reinhardt, Jorgenson continues to expand the popularity of his beloved gypsy jazz by offering listeners an exotic yet familiar sound to which they can relate. If 2010 is any indication, we can expect Jorgenson to take gypsy jazz to new heights for many years to come.
Kissy Black

The Boston Globe-Django lives

...No American player has done more to spread Djangophilia than guitarist John Jorgenson, who performs with his Hot Club-style quintet Thursday at Scullers. With credits including a six-year stint as Elton John’s lead guitarist, cofounding the Desert Rose Band, and sharing front line duties with fellow guitar-slingers Will Ray and Jerry Donahue in the Hellecasters, Jorgenson’s immersion in Gypsy jazz might seem strange. But he caught the Hot Club bug in the mid-1970s playing string band music at Disneyland, and never let go of the passion, eventually becoming one of the most accomplished players building on Reinhardt’s legacy.

“I heard it and I went crazy,’’ Jorgenson, 53, says from home in Nashville. “I call it getting bitten. I’ve seen it happen to a number of people, very often guitarists who are already skilled. In my mind, Django was the first guitar hero. He was leading his own band, doing flashy single-note solos right out there in front. You can see his influence everywhere.’’
Born to a Gypsy family traveling in a horse-drawn caravan through Belgium in 1910, Reinhardt spent his childhood on the move between France, Italy, and North Africa. With music woven into the fabric of the Reinhardts’ daily life (as the Quintette du Hot Club de France’s rhythm guitarist, his brother Joseph “Nin-Nin’’ perfected the essential Gypsy jazz pulse, known as “la pompe’’), Django displayed a prodigious gift on violin and banjo as a child.

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Andrew Gilbert

Boston Globe-Reinhardt’s descendants play on

JOHN JORGENSON
“Franco-American Swing’’ (Pharaoh Records), 2004
While the album includes two tracks from the film “Head in the Clouds,’’ in which he portrayed Reinhardt in a minor role, Jorgenson has developed a powerful Reinhardt-inspired style that doesn’t slavishly emulate Django, and a repertoire of artfully idiomatic originals.
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Andrew Gilbert

Acoustic Guitar Review

"On One Stolen Night he shows again that there is no one better today at doing justice to the technical mastery, melodic inventiveness, and insouciance that was the great Django Reinhardt."
Phil Catalfo

All Music Guide - One Stolen Night Review

"This is a powerfully impressive album from a jaw-droppingly versatile artist who has managed to take one of the most venerable jazz traditions and fashion it from something both completely personal and fully faithful to its roots."
Rick Anderson

All Music Guide - Istiqbal Gathering Review

"Jorgenson is pretty much alone in his willingness and ability to realize this kind of experiment, and both his playing and his expansive creativity make for consistently interesting and frequently gorgeous music."
Rick Anderson

Folk & Acoustic Music Exchange - One Stolen Night Review

"Hoo-boy! If you like hot jazz, gypsy refrains and Balkan ballads, I've got just the ticket."
Mark Tucker

Folk & Acoustic Music Exchange - Istiqbal Gathering Review

"You get the best of both worlds here, the classicalist infused with musique moderne, and the modern spiced with classicalism."

Mark Tucker

Maverick

"Musical magic performed by ten fingers on pieces of wood and steel. Jorgenson's world-wide reputation as an interpreter of Django Reinhardt's gypsy jazz style of guitar playing is second to none."
Arthur Wood

Midwest Record - Istiqbal Gathering Review

"...this is a wild ride that's hard to pin down as anything except glorious, pure music."
Chris Spector

Midwest Record - One Stolen Night Review

"The Django vibe seems grafted so deeply into his DNA that you can't call this derivative or anything else that takes away from the power and purity of the playing and writing. A luscious change of pace for people that love massive chops that are understated in their presentation, this is a top shelf adult listening date that will simply blow you away."
Chris Spector

Audiophile Audition - Istiqbal Gathering Review

"This album breaks new ground."

John Sunier

Green Man Review

"A wonderful tribute both to Django, who started it all, and Jorgenson, who is keeping it going! Two absolutely gorgeous albums dedicated to 'gypsy jazz' approached in different ways, but both marvelous. John Jorgenson is a treasure."
David Kidney

The Valley Advocate

"Jorgenson seems to have gotten comfortable incorporating the hallmarks of the style while embracing the sounds that come naturally to him. As a result, his tunes are infused with an easy grace, like he's really at home, on his own terms, in this most demanding of genres."
 
James Heflin

"What better to honor Django Reinhardt than by offering two releases by the artist who is obviously filling his shoes in the twenty-first century. Both of these albums are equally incredible. One of the most accomplished guitar players ever, Jorgenson is obviously on top of his game at this point in time."
Babysue

Music Web Express 3000

"Both CDs stand tall as a testament to Jorgenson's one of a kind guitar talent and technique, while also serving as a tasteful tribute to the amazing guitar legacy of Django Reinhardt."
Robert Silverstein

West Chester Daily Local

"Whether playing his own accessible compositions or classical standards, Jorgenson and his band make music that is equally romantic and ecstatic, played with virtuosity and soul."
Sean Hickey

Date

Venue

Location
08/11/2010 Live! From Mt Crested Butte Mt. Crested Butte, CO
08/12/2010 Thursdays at the Lake-Kent Summer Concert Series Kent, WA
08/14/2010 - 08/15/2010 Guitar Town Copper Mountain, CO
08/26/2010 Culver City Summer Sunset Music Festival Culver City, CA
08/28/2010 Boulevard Music Culver City, CA
09/03/2010 - 09/04/2010 Four Corners Folk Festival Pagosa Springs, CO
09/17/2010 Triad Acoustic Stage-Presbyterian Church of the Covenant Greensboro, NC
09/18/2010 - 09/19/2010 Virginia Wine Festival Centreville, VA
09/22/2010 Beier Auditorium Dillon, MT
09/24/2010 Djangofest Northwest Langley, WA
11/05/2010 - 11/06/2010 RiverHawk Festival Brooksville, FL
11/07/2010 Randy Wood Guitars Bloomingdale, GA
01/07/2011 Rivercity Music Festival Portland, OR
01/08/2011 Kirkland Performance Center Kirkland, WA
02/18/2011 The Grand Theatre Frankfort, KY
03/03/2011 The Ellen Theatre Bozeman, MT
03/04/2011 Rialto Theatre Loveland, CO
03/30/2011 Cerritos Center for the Performing Arts Cerritos, CA

There are no downloads for John Jorgenson Quintet at this time.

Artist's Team


Label Info
J2 Records
Jim Cowan
(661) 406-0785

Publicity Info
Kissy Black
Lotos Nile Marketing
615-298-1144
kissyblack@lotosnile.com
http://www.lotosnile.com/marketing